Tweedledum and Tweedledee, the Mad Hatter, the Cheshire Cat, the Red Queen and the White Rabbit all make their appearances, and are now familiar figures in writing, conversation and idiom. So too are Carroll’s delightful verses such as The Walrus and the Carpenter and the inspired jargon of that masterly Wordsworthian parody, The Jabberwocky.

A Christmas Carol has become a phenomenal touchstone of English festive fiction and an enduring favourite internationally. Repeatedly adapted, parodied, stages and filmed, this richly influential novella is powerfully vivid and infallibly moving. Scrooge himself, Marley’s ghost, Bob Cratchit, Tiny Tim, and the Ghosts of Christmas Past, Christmas Present and Christmas Yet to Come: they live on unforgettably in this gripping story which combines Gothic horror, moral exhortation, exuberant comedy and surrealistic fantasy.

Generally considered to be F. Scott Fitzgerald’s finest novel, The Great Gatsby is a consummate summary of the “roaring twenties”, and a devastating expose of the ‘Jazz Age’. Through the narration of Nick Carraway, the reader is taken into the superficially glittering world of the mansions which lined the Long Island shore in the 1920s, to encounter Nick’s cousin Daisy, her brash but wealthy husband Tom Buchanan, Jay Gatsby and the mystery that surrounds him. The Great Gatsby is an undisputed classic of American literature from the period following the First World War and is one of the great novels of the twentieth century.

Jane Austen teased readers with the idea of a ‘heroine whom no one but myself will much like’, but Emma is irresistible. ‘Handsome, clever, and rich’, Emma is also an ‘imaginist’, ‘on fire with speculation and foresight’. She sees the signs of romance all around her, but thinks she will never be married. Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.