The plot of The Divine Comedy is simple: a man, generally assumed to be Dante himself, is miraculously enabled to undertake an ultramundane journey, which leads him to visit the souls in Hell, Purgatory, and Paradise.

The story chronicles journalist Georges Duroy’s corrupt rise to power from a poor former cavalry NCO in France’s African colonies, to one of the most successful men in Paris, most of which he achieves by manipulating a series of powerful, intelligent, and wealthy women.

Men Without Women was a milestone in Hemingway’s career. 

Harry Morgan was hard, the classic Hemingway hero, rum-running, gun-running and man-running from Cuba to the Florida Keys in the depression.

Aldous Huxley’s 1932 dystopian classic Brave New World predicts – with eerie clarity – a terrifying vision of the future, which feels ever closer to our own reality.

Written when Hemingway returned from his 1953 safari, and edited by his son Patrick, True At First Light is a rich blend of autobiography and fiction, a breathtaking final work from one of this century’s most beloved and important writers.

“The Raven” is by far Poe’s best-known poem and it is one of more than forty to be found in The Raven and Other Poems, a volume that collects the best of Poe’s exercises in verse. Here, readers are treated to such masterpieces as “Annabel Lee,” “The Haunted Palace,” “The Conqueror Worm,” “The City in the Sea,” “Lenore,” and many more. These poems are imbued with the somber seriousness that we associate with Poe’s macabre fiction, but also with his marvelous appraisals of the mysteries of our and other worlds, and his fervent belief in undying love.

In a town full of suffering poor people, a swallow who was left behind after his flock flew off to Egypt for the winter meets the statue of the late “Happy Prince”, who in reality has never experienced true sorrow, for he lived in a palace where sorrow was not allowed to enter.